With Sogno di Pietra, Canto transforms the gallery into a quarry deposit: an intermediate space in which matter is yet to acquire a defined function, where everything remains possible and new trajectories become available. In this suspended condition, far removed from the aesthetic canon of consumption, matter reveals itself in its most authentic state – raw and alive. Stefano Canto’s sculptures are works in flux, in which what is staged is a process based, cyclical dimension in constant transformation. Terms such as lithification, deposition, and erosion – borrowed from geological vocabulary – aptly describe the artist’s approach to sculptural practice.