The faces, deliberately withdrawn from recognition, remain opaque and anonymous; yet postures, gestures, and the closeness between figures clearly reveal emotional bonds and complex relational dynamics, allowing the silent tension inhabiting the shared space to emerge. From this affective dimension—intimate, layered, and marked by ambivalence—Alessandra’s work unfolds on jute and canvas through the lens of a key concept: “thirdness,” defined by author and psychoanalyst Jessica Benjamin (2017) as central to her theory of recognition.