In The cat is under the table (2025), a garden table is set for a convivial gathering, yet no one appears. What remains are objects—traces of sociality—while a cat, hidden beneath the table, fixes its gaze toward the viewer: a discreet witness within the scene and, subtly, the scene’s destabilizing and capturing center. Throughout the exhibition, domestic and outdoor spaces become stages for a psychology of attention—quiet, precise, and slightly unsettled. The works invite a slow looking: to read the residue of gestures, to sense the drift of time, and to notice what is present only indirectly—like the cat under the table, watching.