The exhibition focuses in particular on a segment of Agnetti’s work from the final period of his career, in which the use of photography becomes a common denominator for different kinds of experimentation. 
Photographic language is used by the artist as a trace, evidence, or record of an idea, a mental action, or a system. The landscapes are therefore possible landscapes, where the conceptual register and the recovery of the figurative element generate, to paraphrase the artist, “new things.